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“Come Home, It’s Suppertime” in Brundidge"

By Jaine Treadwell

Sherroll Tatom leaned on his walking cane, favoring the hip that has given him so much ‘aggravation’ in the past year.

"I can’t have surgery until January," Tatom said, with a sigh.

Then a smile began to push at the corners of his mouth. "So, maybe I can ‘come home.’ I sure hope so."

Tatom is an original member of the cast of Alabama’s Official Folklife Play, "Come Home, It’s Suppertime," which is performed at the We Piddle Around Theater in Brundidge in the fall and spring of each year.

Health concerns kept the octogenarian off stage during the 2007-08 season and Tatom said that hurt him more than hobbling around on a bad hip.

"Being a part of ‘Come Home, It’s Suppertime’ has meant more to me than anything I’ve ever done," said Tatom who is a retired city council member. "It has brought me more joy than I could ever have imagined. And, it has meant more to our community than anything we have ever done.

"People come from everywhere to see the play. It makes me proud to be a part of something that brings so much pleasure to so many people and so much positive recognition to our community."

The play celebrated its 100th performance during the 2008 spring season and Tatom was in the audience for the milestone occasion and was recognized for his contribution to the success of the play.

"Like many people, I wasn’t sure that we’d even make it through that first night seven years ago," he said. "None of us ever imagined that ‘Come Home’ would be the success it is. Nobody."

But success was swift for the play telling the stories of real life characters who "milled around" Brundidge and the surrounding communities during the days of the Great Depression and "strowed around" stories that have endured with time.

The play tells the stories of the way it was in the rural South during "Hard Times" and they’re told around the supper table.

Folks that "Come Home" to supper at the We Piddle Around Theater, are invited to pull up a chair, grab a chicken leg and a sweet tater, tap their toes to the pickin’ and singin’, and then sit back and listen to a bushel of real stories told by real people.

Stories of hog killings, the 40 days of misery, the demons in the cotton field and peanut picking spots. Stories of plowing behind a stubborn mule with a dull plow, making moonshine whiskey, meeting the rolling store and sitting up with the dead. Stories to tickle your funny bone and others that will tug at your heartstrings.

The play opened in February 2002 in the former Brundidge City Hall building that was gutted by fire nearly a decade earlier. The building stood as an eyesore on the corner of Main Street for those many years and was in danger of being razed to make way for a parking lot.

"The city graciously agreed to let us use the building for a theater," said Lawrence Bowden, president of the sponsoring organization, the Brundidge Historical Society. "The brick walls were stained with smut, the floor was a hole and the windows were boarded. But a lot of people who believed we could put on a play that told the story of our community got behind the idea and made it happen."

The tickets to the first six-performance season didn’t exactly sell like hotcakes but there was so much interest — or curiosity — that a seventh performance was added.

"After that, we’ve had more requests for tickets than we can fill," Bowden said. "‘Come Home, It’s Suppertime’ is a supper theater and seating is limited. People have asked us why we don’t move to a larger facility but we don’t want to do that. This is ‘home.’"

And the cast and crew are family.

Lenny Trawick is the music director and also writes the original music that is mixed with traditional music. He said the cast and crew of "Come Home" are not blood-kin but family nonetheless.

"We’re just one big family and we all love what we do," he said. "None of us get paid. We do it because the stories of the rural South need to be told, to be preserved. ‘Come Home’ has brought us together in a special way. We have cast members from age eight to eighty-something and we have people from all walks of life and with different talents. And, when we put it all together, we’ve got something uniquely special and worth sharing."

And share it, they have.

The paid attendance is nearly 15,000. Others have attended special performances and dress rehearsals. Each season about 75 people are involved in "putting on" the play and, the cast, laughingly, said not a one of them have been invited to Hollywood.

"We keep thinking that we will, but so far nobody’s called," Linda Steed said laughing.

Steed plays Lula Merle, the town floozy.

One night as she was leaving the theater, a tour bus stopped in the middle of the street. The door came open and the folks inside hollered, "Hey, Lula Merle." Steed laughed and waved back.

"The audience seems to share the closeness we feel as a cast and crew," she said. "Coming ‘Home’ at suppertime is not really like going to a play. It’s like you’re really coming home at suppertime."

Dr. David Dye, veteran director of theater at Troy University, said when he walked through the door of the We Piddle Around Theater for the first time, he knew immediately he was going to experience something unique and very special.

"The play was funny; it was sad," he said. "It was poignant and it was filled with local color. It was like basking in the mirror of the community where we have grown up. It’s a wonderful sense of being connected. What a wonderful, warm experience it was to be at home at suppertime."

That sense of being connected is what has made "Come Home" a success, Bowden said.

"It’s not any one thing," he said. "It’s everything from the original stories and the traditional music to the fried chicken and cornbread on the table and sawdust on the floor. And, when a ‘family’ and ‘company’ sit down to supper together, there’s just no experience like it."

Dr. Johnny Long, famed director of bands at Troy University, said he laughed and was brought to tears by the performance of "Come Home."

"The people on stage who brought the stories were truly amazing," he said. "I don’t know if the people involved know how really good it is. I hope the community realizes what a real treasure they have."

Even if those involved don’t really realize "Come Home" is a "treasure," the Alabama Bureau of Tourism and Travel does. The Bureau awarded its 2008 Governor’s Tourism Award to the Brundidge Historical Society for its original folklife play, "Come Home, It’s Suppertime." It was with great humility and deep appreciation the Brundidge Historical Society accepted the award.

"We are thankful for the talents and abilities that allow us to do what we do," Bowden said. "We are humbled and honored by this recognition. ‘Come Home,’ is not just the story of our community. It’s the story of all Alabama and celebrates the cultural heritage of our state. We hope those who ‘come home’ to the We Piddle Around Theater leave believing all the piddling has been worthwhile."

For ticket information, call 334-735-3125 or 735-3675.

Jaine Treadwell is a freelance writer from Brundidge.

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Date Last Updated October, 2008